on DVD for the Day of Memory: Holocaust-Shoah We
Music Conference and Matteo Corradini . Original music by John Belpaese
This conference is really hard to tell and every attempt will ruin the magic.
It all started with just a magic word Abracadabra , which in Hebrew means 'I create as I speak' . Can not create the same charm but without the images and music chosen for the occasion, so I invite you, readers, to ask us (for free) the DVD of the event by contacting conferenceroom@fandis.it or call: 0321 963 232.
Did you know that Bugs Bunny has contributed to the campaign war? Did you know that the camps are minted its own money? You know what was special about the Theresienstadt camp? The trip was only hinted at in the Holocaust, little more than a flutter through these and other small curiosity, places and people, but for once we could gather to listen and really think about that a witness should never be lost .
Carry only a short track of the conference. A still picture told more about the history of the many stories of the Holocaust:
Saturday, August 7, 1943
Kitty is the child who is at home next to me when I look out my window, if the weather is nice, I see her play in the garden. On Sunday Kitty wearing a wine-colored velvet dress. The other day a cotton dress. Kitty's hair color of hemp, in two tight braids and blue eyes, clear light. Kitty also has a very good mother, but no longer has a father. His mother is a washerwoman: it is often away during the day, why go to work outside in different families and in the evening, when he comes back, doing the laundry for them, often see it beat the carpet or put clothes to dry. Kitty has a brood of little brothers and sisters, there is one little baby when the mother says, "is Time to go to bed, "begins to scream and stick to the skirts of his sister, eleven years.
Kitty has a kitten is black as a nigger and she cuddles a lot. Every night before going to bed , feels that Kitty called him: - Cat Kit ... ... .. Micino ...- Here Kitty Kitty has been dubbed so because: who knows what his real name, but it looks like a kitten, too.
Anne Frank - Tales from the Secret Annex, Einaudi
Notes:
Each page of the famous 'Diary' begins with 'Dear Kitty'.
Anne Frank died in the extermination camp at Bergen -Belsen in March 1945.
To you and all the victims of the Holocaust are dedicated to the conference and this page.
...
Sunday, January 25, 2009
Tuesday, January 20, 2009
Is Louana Coconut Oil Good For Hair
languages \u200b\u200band dialects in Italy, with Prof. Franco Brevini
Unlike European sisters, the Italian language has not evolved naturally over time since Vulgar, but s' is almost materialized out of nowhere in the modern era to allow the deployment of a national identity which transcends the boundaries and regional and local characteristics, besides expanding the markets available for the economic system (consider, for example the possibility of selling a book written in Venetian dialect and those of its Italian translation).
isolated and thus impervious to influence each other, avevano dominato infatti, fino alla fine del ‘700, i dialetti e cioè fino a quando l’Accademia della Crusca formalizzò e quindi impose ai letterati una nuova lingua elaborata sulla base di quella usata dal Petrarca e da Dante (non si scelse infatti semplicemente di adottare il dialetto fiorentino come molti erroneamente ritengono!). Ciò significò soprattutto stilare un vocabolario ‘autorizzato’ al fine della scrittura letteraria. Tale elenco di parole, però, non comprendeva termini adatti a descrivere la quotidianità (cosa ovvia, visto che i testi dello Stil Novo scelti allo scopo non erano certo descrittivi di fatti e persone in contesti reali) e dunque la nuova lingua acquistò subito un che di pomposo and forcibly stately (the national anthem taught us anything, but the libretto ...). For the first writers of the period was certainly not an easy life: just remember that in two years Manzoni wrote the first version of the Betrothed and there went 16 more for 'proofreading' ('rinse the clothes in the Arno').
For all the authors who chose to write in Italian, this development meant giving up the authenticity of a language pure, rich colorings and dotted the region. The lost works so immediate and effective action and re-reading today dialect texts which are translated by the same author, there is a smile of the protagonists who often leaving ridicule (such as not smiling in front of Violet, a woman of easy virtue, who talks like a noblewoman?). The Italian was then inevitably the language to describe an idealized world, inhabited by knights and ladies moved by noble sentiments, in the background of a reality only hinted at.
vernacular literature that was (in school anthologies still designated as 'minor') but retained his ties with the people, the excluded, the despair, the places of the earth and work, the feelings experienced, the erotic, all subjects that certainly could not have been treated with equal depth in the literature 'high'.
Prof. Brevini us therefore be accompanied in un’emozionante esplorazione della poesia dialettale dal ‘600’ all’età contemporanea, viaggiando in tutto lo stivale grazie alla lettura – ma sarebbe meglio definirla performance attoriale – di brani scelti tra le opere degli autori più rappresentativi. Alcune pagine del Belli (autore Romano) e del Porta (milanese) ci hanno restituito la stessa idea dell’Italia popolana rassegnata e vinta delle canzoni di De André; non a caso, nella letteratura ‘popolare’, l’eroina è spesso una prostituta come le tante che popolano le canzoni dell’autore genovese - e forse il più grande pregio di De Andrè fu proprio quello di aver riportato alla luce l’autenticità poetry popular culture in a language comprehensible to everyone: a language that allowed him to talk about love and war (the real one and not without blemish and the knights fear) with the same force they used our dialect poets to give voice to the poor and redeem the losers - but more often we were thrilled and amused, like those of Trilussa and even Toto, with his now famous 'A level'.
In short, today's Italian language is a very young man who, while he took his first steps, already contaminated the many other languages \u200b\u200bthat cross the peninsula thanks to globalization. Thinking of implementing policies for the Protection of dialects is utopian and anachronistic, but also to explore our popular culture is an opportunity missed to better understand who we were and how they lived generations that preceded us.
The evening concluded with a lively debate and some curious revelations ... but to find out more you can ask us for a DVD of the evening!
MB
Unlike European sisters, the Italian language has not evolved naturally over time since Vulgar, but s' is almost materialized out of nowhere in the modern era to allow the deployment of a national identity which transcends the boundaries and regional and local characteristics, besides expanding the markets available for the economic system (consider, for example the possibility of selling a book written in Venetian dialect and those of its Italian translation).
isolated and thus impervious to influence each other, avevano dominato infatti, fino alla fine del ‘700, i dialetti e cioè fino a quando l’Accademia della Crusca formalizzò e quindi impose ai letterati una nuova lingua elaborata sulla base di quella usata dal Petrarca e da Dante (non si scelse infatti semplicemente di adottare il dialetto fiorentino come molti erroneamente ritengono!). Ciò significò soprattutto stilare un vocabolario ‘autorizzato’ al fine della scrittura letteraria. Tale elenco di parole, però, non comprendeva termini adatti a descrivere la quotidianità (cosa ovvia, visto che i testi dello Stil Novo scelti allo scopo non erano certo descrittivi di fatti e persone in contesti reali) e dunque la nuova lingua acquistò subito un che di pomposo and forcibly stately (the national anthem taught us anything, but the libretto ...). For the first writers of the period was certainly not an easy life: just remember that in two years Manzoni wrote the first version of the Betrothed and there went 16 more for 'proofreading' ('rinse the clothes in the Arno').
For all the authors who chose to write in Italian, this development meant giving up the authenticity of a language pure, rich colorings and dotted the region. The lost works so immediate and effective action and re-reading today dialect texts which are translated by the same author, there is a smile of the protagonists who often leaving ridicule (such as not smiling in front of Violet, a woman of easy virtue, who talks like a noblewoman?). The Italian was then inevitably the language to describe an idealized world, inhabited by knights and ladies moved by noble sentiments, in the background of a reality only hinted at.
vernacular literature that was (in school anthologies still designated as 'minor') but retained his ties with the people, the excluded, the despair, the places of the earth and work, the feelings experienced, the erotic, all subjects that certainly could not have been treated with equal depth in the literature 'high'.
Prof. Brevini us therefore be accompanied in un’emozionante esplorazione della poesia dialettale dal ‘600’ all’età contemporanea, viaggiando in tutto lo stivale grazie alla lettura – ma sarebbe meglio definirla performance attoriale – di brani scelti tra le opere degli autori più rappresentativi. Alcune pagine del Belli (autore Romano) e del Porta (milanese) ci hanno restituito la stessa idea dell’Italia popolana rassegnata e vinta delle canzoni di De André; non a caso, nella letteratura ‘popolare’, l’eroina è spesso una prostituta come le tante che popolano le canzoni dell’autore genovese - e forse il più grande pregio di De Andrè fu proprio quello di aver riportato alla luce l’autenticità poetry popular culture in a language comprehensible to everyone: a language that allowed him to talk about love and war (the real one and not without blemish and the knights fear) with the same force they used our dialect poets to give voice to the poor and redeem the losers - but more often we were thrilled and amused, like those of Trilussa and even Toto, with his now famous 'A level'.
In short, today's Italian language is a very young man who, while he took his first steps, already contaminated the many other languages \u200b\u200bthat cross the peninsula thanks to globalization. Thinking of implementing policies for the Protection of dialects is utopian and anachronistic, but also to explore our popular culture is an opportunity missed to better understand who we were and how they lived generations that preceded us.
The evening concluded with a lively debate and some curious revelations ... but to find out more you can ask us for a DVD of the evening!
MB
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